Kymberly Harris
 

SELECTED FILM WORK

ROSE’S TURN

A seemingly simple act of generosity becomes a more complicated question about dignity, power and what it really means to help another person.

 

I Heard Sarah

A troubled rock star confronting his deepest demons forces us past the spectacle of crisis and into the emotional world beneath it.

Winner Robert Rodriguez Award
Distributed by Good Deed Entertainment



Now and Never

Winner Rising Star Award
CineGear Expo LA in partnership with Paramount Pictures

 

FAITH

A young songwriter struggling with addiction confronts the painful distance between surviving and choosing to live differently.

Winner Best Short Film NYC International Film Festival

THE ACTOR INSIDE THE DIRECTOR

I spent years standing inside scenes before I began standing outside them.

That experience shapes everything about the way I direct.

I don’t ask an actor to “be sadder” or “make it more emotional.” I’m interested in what the character needs from the other person, what they are fighting to conceal, and what becomes possible when an actor stops demonstrating an emotion and begins living inside the circumstances.

I believe rigorous work and humane work belong in the same room.

Actors should be able to take genuine risks without fear of humiliation. When trust, preparation and curiosity meet, something happens that no director can completely plan.

That discovery is one of the reasons I love making films.

 

GASLIGHT (MUSIC VIDEO)

GASLIGHT MUSIC VIDEO

Song by Matt Mackey

Directed by Kymberly Haris

THEATRE DIRECTING

(SELECTED)

 

THE EFFECT

BY LUCY PREBBLE

MARILYN MONROE THEATRE, HOLLYWOOD

Kymberly Harris directs with confidence and flair, and she is rewarded with four terrific performances...
— Theatre Critic, Steven Stanley

FOOL FOR LOVE

by Sam Shepard

THEATRE FOR THE NEW CITY, NYC

Director Kymberly Harris has served the needs of her cast, while clarifying the intent of the playwright with an artistry that has formed and shaped without intruding or over-burdening the staging once. In a play as volatile as this, that is a hallmark of directorial skills of the first order.
— Earnest Kearney, TVlution

GURRL, HOW DID I GET HERE?

A SOLO SHOW WITH LAVERNE COX

CITY WINERY, NYC

 

Screenplay Awards

 

Playwriting

Rose's Turn, Bumping Umbrellas, Reproduction, FAITH, Starstruck